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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis black chalk drawing depicts a male figure with a deeply expressive, contemplative countenance and a furrowed brow. The artist uses delicate hatching and shading to define the anatomical structure of the face and the muscular tension in the neck as the figure gazes toward an unseen source. It is a highly detailed character study intended for a figure in a larger narrative composition.
This work is a study for one of the apostles in Raphael’s 'Transfiguration,' reflecting the High Renaissance concern with 'affetti'—the visual representation of the soul's internal movements. In the context of the Neoplatonic philosophy prevalent in Raphael's Roman circle, the figure’s upward gaze represents the human attempt to perceive divine light and the spiritual ascent of the soul toward the intelligible realm.
IM J.R.H.
Marsilio Ficino
Raphael's depiction of spiritual yearning and the perception of divine light in his later works aligns with Ficinian Neoplatonic theories on the soul's ascent.
Raphael - The Transfiguration
This drawing is a direct preparatory study for the head of an apostle (likely Saint Andrew) in Raphael's final altarpiece.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/search?agent=Raphael&technique=drawn&view=grid&sort=object_name__asc&page=1
1856 × 2500 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.