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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis sketch captures the massive bronze doors and the coffered barrel vault of the Pantheon's pronaos. Detailed fluted pilasters with Corinthian capitals frame the entrance, while a separate detail at the bottom shows an ornamental candelabra relief. Handwritten notes in Italian identify the structure as the 'Ritonda' or Rotunda.
To Renaissance thinkers like Raphael, the Pantheon was the ultimate expression of cosmic harmony and divine geometry, embodying the Neoplatonic ideal of the circle and square. Its architecture was studied as a physical manifestation of ancient wisdom (prisca sapientia) and the mathematical laws underlying the natural world.
della ritonda 3 cholone schamali de la ritonda 164
Translation
of the Rotunda 3 fluted columns of the Rotunda 164
Vitruvius
Raphael studied the Pantheon to reconcile contemporary architectural practice with the classical principles found in 'De Architectura'.
Leon Battista Alberti
Alberti’s theories on the temple as a mirror of cosmic order were foundational to the Renaissance study of the Pantheon.
Object
Oil on panel
architectural
Digital Source
Wikimedia Commons · Public domain
The Drawings of Raphael by Paul Joannides
1400 × 2036 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.