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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis predella panel depicts Christ in a central blue robe, assisted by Simon of Cyrene as he moves toward his execution. To the left, the Virgin Mary is supported by the Holy Women and Saint John, while the right side of the composition is dominated by soldiers on horseback and a figure pulling Christ with a rope. The figures are arranged in a rhythmic, frieze-like sequence against a sparse landscape characteristic of Raphael’s early Umbrian period.
The work reflects the 'Imitatio Christi' (Imitation of Christ) motif prevalent in Renaissance spiritual literature, which encouraged the faithful to find mystical union with the divine through the contemplative internalization of Christ's suffering. This focus on the inner spiritual journey and the 'way of the cross' was a central pillar of late medieval and early modern Christian mysticism.
Thomas à Kempis
His text 'The Imitation of Christ' (Imitatio Christi) provides the primary spiritual framework for the devotional practice of meditating on the Passion depicted in this work.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
1. National Gallery, Londres, Reino Unido2. gallerix.ru
7689 × 2176 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.