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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThe prophet is depicted as a monumental, muscular figure wearing a blue tunic and a heavy yellow mantle. He holds a scroll with Hebrew text while looking off to the side, positioned beneath a Greek dedicatory plaque held by two young cherubs. The composition emphasizes the weight and physical presence of the figure against a stone architectural background.
Isaiah was regarded by Renaissance thinkers as the primary prophet of the Incarnation, serving as a bridge between Hebrew scripture and Christian Neoplatonism. The use of accurate Hebrew text reflects the Renaissance interest in 'Hebraica Veritas' and the intellectual synthesis of Jewish and Christian traditions found in the works of figures like Johannes Reuchlin.
ΑΝΝΗ ΠΑΡΘΕΝΟΤΟΚΩ ΠΑΡΘΕΝΙΚΗ ΘΕΟΤΟΚΩ ΚΑΥΤΡΩΤΗ ΧΡΙΣΤΩ ΙΩ ΚΟΡ פתח השער ויבא גוי צדיק שומר אמונים
Translation
(Greek): To Anne, mother of the Virgin; to the Virgin, mother of God; to Christ the Redeemer; Johannes Goritz. (Hebrew): Open the gates, that the righteous nation which keepeth the truth may enter in (Isaiah 26:2).
Johannes Reuchlin
Reuchlin's 'De Arte Cabalistica' and 'De Verbo Mirifico' popularized the study of Hebrew among Christian scholars during the same period Raphael was painting this figure in Rome.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY-SA 3.0
photo taken by Ulrich Mayring, created 4. Apr. 2007
4366 × 14394 px
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.