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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTwo female prophetesses from antiquity are shown in dynamic, twisting poses accompanied by celestial messengers. On the left, a younger figure looks toward a tablet held by a putto, while on the right, an elderly woman with a large book gazes upward at an angel unfurling a scroll. The scene is filled with inscriptions in both Latin and Greek that link ancient prophecy to the arrival of a new age.
The Sibyls represent the Renaissance Neoplatonic concept of 'prisca theologia' (ancient theology), where pagan wisdom is seen as a precursor to Christian revelation. This synthesis was a core tenet for thinkers like Marsilio Ficino and Pico della Mirandola, who sought to reconcile the philosophy of antiquity with theology.
ΟΥΡΑ ΝΩΝ ΕΙΑΙ ΕΣΤ ΝΙΑ Η ΕΚ ΕΥ ΟΝ IAM NOVA PRO GEN ΑΝΩ ΘΕΝ ΕΞΗ ΚΕΙ ΣΥΜ ΠΑΝ ΤΑ
Translation
Heaven is the victory in which mercy is poured out. / Now a new generation [descends from heaven]. / All things come from above.
Marsilio Ficino
Ficino integrated Sibylline prophecies into his Neoplatonic framework to prove the continuity of divine truth from the pagan past.
Virgil, Eclogue IV
The Latin inscription 'Iam nova progenies' is taken from Virgil's fourth Eclogue, which was traditionally interpreted as a prophecy of Christ's birth.
The Sibylline Oracles
The Greek inscriptions are derived from these collections of oracular utterances used by Renaissance humanists to bridge the gap between classical and Christian thought.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/2/05sibyl3"
2736 × 1924 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.