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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileIn this central scene, a winged Mercury guides Psyche upward through the clouds toward her celestial union with Cupid. The surrounding architectural elements feature heavy garlands of fruit and flowers, with one putto holding the blacksmith tools of Vulcan and another riding a lion and sea-horse. The composition is based on the famous fresco cycle designed by Raphael for the Loggia di Psiche at the Villa Farnesina.
The myth of Cupid and Psyche is a central Neoplatonic allegory representing the human soul's (Psyche) journey of purification and eventual ascent to divine immortality. Mercury appears here in his esoteric role as the Psychopomp, the guide of souls who mediates between the mortal and divine spheres.
Iouis mandato Psyche per mercurium arrepta ab ipso in Coelum perducitur, ad nuptias cum suo Cupidine. Inter Deorum spolia ducuntur in pompa Vulcani forfices, et malleus ignipotente Deo-victo Cupidinis igne. Salamandra flammis illesa eiusdem Dei est index. Leonem, et marinum equum frenat ferarum domitor Amor, utriusq. elementi Terra, marisq. dominus. Raphael Sanctius Urbinas inuentor. Typis ac Sumptibus Dominici de Rubeis Io: Iacobi filij ac Heredis Romae ad Templum S.tae Mariae de Pace cum Priuil. Summi Pontificis, et Sup. perm: Anno 1693. Nicolaus Dorigny Gall. delin. et inc. 9
Translation
By the mandate of Jove, Psyche is snatched up by Mercury himself and led into Heaven, for the marriage with her Cupid. Among the spoils of the Gods are carried in procession Vulcan's tongs and hammer, the fire-ruling God having been defeated by the fire of Cupid. The salamander unharmed by flames is a sign of that same God. Love, the tamer of wild beasts, bridles a lion and a sea-horse, lord of both elements, Earth and Sea. Raphael Sanzio of Urbino, inventor. Printed and at the expense of Domenico de' Rossi, son and heir of Giovanni Giacomo, in Rome at the Temple of Saint Mary of Peace, with the privilege of the Supreme Pontiff and with superior permission: In the year 1693. Nicolas Dorigny, Frenchman, drew and engraved it.
Apuleius, The Golden Ass
The primary literary source for the narrative of Psyche's trials and her eventual elevation to godhood.
Marsilio Ficino
Ficino's Neoplatonic commentaries popularized the interpretation of Psyche as the human soul seeking reunion with Divine Love.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · CC BY 4.0
https://wellcomeimages.org/indexplus/obf_images/0c/3b/398d25038778399fbf788b56cc25.jpg Gallery: https://wellcomeimages.org/indexplus/image/V0036098.html Wellcome Collection gallery (2018-04-05): https://wellcomecollection.org/works/pxq4mqp4 CC-BY-4.0
3488 × 2148 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.