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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileIn the upper register, Christ sits enthroned on a bank of clouds, flanked by two angels and six seated saints including Benedict and Romuald. Below, a later addition by Perugino shows six standing saints flanking a central niche that contains a statue of the Virgin and Child. The composition organizes the divine hierarchy into a structured, symmetrical space that bridges the earthly and celestial realms.
This work represents the transition of High Renaissance theology toward a more structured, Neoplatonic visualization of the divine hierarchy. The arrangement of the Trinity and the saints anticipates Raphael's 'Disputa' in the Vatican, reflecting the intellectual climate of the period where the 'Prisca Theologia' sought to reconcile the Christian Trinity with the philosophical triads of the Neoplatonists.
Α Ω S·MAVRVS S·PLACIDVS M·S·BENEDICTVS S·ROMVALDVS S·BENEDICTVS S·IOHANNES MATER DEI [Lower Left]: RAPHAEL DE VRBINO... MDV [Lower Right]: PETRVS DE CASTRO PLEBIS... MDXXI
Translation
Alpha and Omega (The Beginning and the End). St. Maurus, St. Placidus, Master St. Benedict. St. Romuald, St. Benedict (Martyr), St. John. Mother of God. [Bottom]: Raphael of Urbino [painted this] 1505 / Pietro [Perugino] of Città della Pieve [painted this] 1521.
Marsilio Ficino
Ficino’s 'De Christiana Religione' explores the Trinity through the lens of Neoplatonic emanation and the 'three-fold' nature of the divine source.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"p/perugino/saints/trinity"
1000 × 1334 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.