Two Putti Singing (Copy after Raphael's Madonna del Baldacchino), 1932.133

Two winged infant figures stand together, gazing down at a thin ribbon or scroll they hold between their hands. The figure on the left appears to be singing or reciting, with an open mouth and attentive expression. The drawing uses tonal washes and white heightening to create a sense of three-dimensional volume against a simple architectural background.

These figures represent the Renaissance synthesis of classical form and Christian theology, where singing angels often symbolized the Neoplatonic concept of the harmony of the spheres. This idea suggests that earthly music and geometry are reflections of a divine, celestial order, a theme central to the philosophical works of the era.