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Original fileLarge-scale frescoes cover the walls and ceiling, depicting a chaotic cavalry battle on the left and a formal ceremony within a classical temple on the right. Above the narrative scenes, the vaulted ceiling contains illusionistic architecture, papal coats of arms, and personified figures representing various forms of ancient knowledge. The composition uses complex framing to organize historical events alongside symbolic representations of divine and secular authority.
The presence of the 'Hetrusca Disciplina' (Etruscan Discipline) highlights the Renaissance interest in 'prisca theologia,' or ancient theology. It reflects the effort by Papal scholars to reconcile ancient pagan systems of divination and natural philosophy with Christian revelation.
HETRVSCA DISCIPLINA ANNO DNI MDLXXXV CLEMENS VII PONT MAX PONT SVI PRIMO QVOD AVREL CONSTANTINI IMP VICTORIA CVM SVB MAXENTIO CHRISTIANORVM OPES FIRMARETVR
Translation
Etruscan Discipline (Divination) In the year of our Lord 1585 Clement VII Supreme Pontiff In the first year of his pontificate Because by the victory of Emperor Aurelius Constantine over Maxentius, the resources of the Christians were strengthened.
Marsilio Ficino
Ficino's theory of 'prisca theologia' argued that ancient traditions, such as the Etruscan methods of divination, were early steps toward the reception of Christian truth.
Object
Fresco
allegory
Linked Data
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