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Original fileSeated in a trompe-l'œil niche, Pope Urban I is flanked by the personified virtues of Justice, holding a pair of scales, and Charity, shown with nursing infants. To the right, on the corner wall, Pope Clement I sits in a similar architectural frame. The composition uses complex perspectival illusions to integrate these figures with larger narrative scenes of the life of Emperor Constantine.
This decorative program represents the High Renaissance synthesis of Christian history and Neoplatonic political philosophy. The inclusion of classical virtues alongside early church leaders reflects the belief that divine law and natural justice are harmoniously aligned, an idea championed by the intellectual circles surrounding the Papal court.
IVSTITIA VRBANVS I IN ALTVM
Translation
Justice Urban I Into the height
Raphael
Raphael designed the overarching concept and composition for the room's decoration before his death in 1520.
Marsilio Ficino
Ficino's Neoplatonic revival provided the philosophical framework for integrating pagan virtues (like Justice and Moderation) into Christian theological programs.
Object
Fresco
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.