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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileVenus is depicted as a nude figure holding a billowing white veil, standing within a small, decorated chariot guided by pairs of harnessed doves. The central scene is framed by lush garlands of fruits and vegetables, while a cupid and a winged griffin occupy the adjacent triangular spaces of the vaulting. This composition is part of a larger decorative cycle illustrating the myth of Cupid and Psyche.
This scene belongs to a cycle based on Apuleius’s 'The Golden Ass,' which Renaissance Neoplatonists interpreted as a profound allegory for the soul's journey, trials, and ultimate reunion with the Divine. Venus represents the celestial beauty and the sovereign power of Love that governs the soul’s ascent as described in the works of Marsilio Ficino.
Apuleius
His 'Metamorphoses' (The Golden Ass) is the primary literary source for the narrative of Cupid and Psyche depicted here.
Marsilio Ficino
His Neoplatonic commentaries, particularly 'De Amore', provided the philosophical framework for interpreting Venus and Psyche as aspects of the soul's divine evolution.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/4a/10farnes"
1345 × 800 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.