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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis sanguine drawing shows the nude goddess Venus reclining on a bank of clouds, her body rendered with the muscular grace typical of the High Renaissance. She points her right hand downward, a gesture relating to her role in the myth of Cupid and Psyche, while several small putti are sketched faintly around her legs and torso. The work is a preparatory sketch for the fresco cycle at the Villa Farnesina in Rome.
In the Neoplatonic framework of the Italian Renaissance, Venus represented both divine beauty (Venus Coelestis) and the generative power of nature (Venus Vulgaris). This image relates to the myth of Psyche, which was interpreted by Renaissance thinkers like Ficino as an allegory for the human soul's descent into the material world and its eventual return to the divine.
Marsilio Ficino
Ficino's 'Commentary on Plato's Symposium' defined the dual nature of Venus, influencing the philosophical underpinnings of Raphael's mythological works.
Apuleius, The Golden Ass
The original literary source for the story of Cupid and Psyche, which this drawing was created to illustrate.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://www.chatsworth.org/visit-chatsworth/chatsworth-estate/art-archives/old-master-drawings-up-close/raphael/
1506 × 2000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.