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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing shows several energetic infants with wings in various states of physical play and struggle across the center of the composition. To the right, a woman in classical drapery stands in profile, cradling another child in her arms while watching the chaos. The scene is rendered with delicate cross-hatching and fluid outlines that capture the dynamic movement and soft anatomy of the figures.
In the Neoplatonic circles of Renaissance Rome, the depiction of multiple 'amorini' symbolized the diverse forms of Love (Eros) and the struggle between earthly and divine impulses. This iconography was heavily influenced by the revival of Platonic texts, which categorized love into various grades of spiritual and physical attraction.
Marsilio Ficino
Ficino's 'De Amore' (Commentary on Plato's Symposium) revitalized the concept of multiple Loves, providing a philosophical basis for artists to depict groups of putti representing different stages of the soul's ascent.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 582 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.