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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing depicts a fantastical creature with a long, segmented neck, sharp talons, and large, bat-like wings featuring circular markings. The beast is shown in profile with its mouth open in a snarl, revealing teeth and a crest on its head, while its serpentine tail coils at the rear. The work is executed with fine, cross-hatched lines typical of Renaissance preparatory sketches.
In the Western esoteric tradition, the dragon is a central symbol for the 'prima materia' or the volatile spirit in alchemy that must be subdued to achieve the Great Work. This specific creature reflects the Renaissance fascination with the bestiary tradition, where mythical beasts were often analyzed through the lens of natural philosophy to bridge the gap between the known world and the divine imagination.
Michael Maier, Atalanta Fugiens
The dragon frequently appears in Maier's emblems as a representation of the volatile substance or the 'Philosophic Mercury' that must be fixed.
Rosarium Philosophorum
The dragon is used in this series of alchemical woodcuts to symbolize the initial, chaotic state of matter (the prima materia) and its subsequent transformations.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 483 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.