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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing focuses on the intricate arrangement of heavy cloth as it folds over the lap and legs of a seated person. The artist uses red chalk to capture how light and shadow define the texture and weight of the material. This sketch was created to help work out the details of a figure in a much larger painting, suggesting the physical presence of a character through their garments.
This sheet is a preparatory study related to Raphael's work in the Stanza della Segnatura in the Vatican, specifically for the 'School of Athens' or the 'Disputa'. These frescoes represent the pinnacle of High Renaissance Neoplatonism, aiming to harmonize classical philosophy and Christian theology within a single intellectual framework.
BM 1953-10-10-1
Marsilio Ficino
Raphael's visual program in the Vatican was deeply informed by the Neoplatonic synthesis of pagan and Christian thought championed by Ficino.
The School of Athens (fresco)
This drawing is a working study for a figure within this celebrated mural depicting the lineage of Western philosophy.
Object
Oil on panel
allegory
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/search?agent=Raphael&technique=drawn&view=grid&sort=object_name__asc&page=1
1818 × 2500 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.