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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThese faint, exploratory drawings show human figures in postures of kneeling and contemplation. The artist has used loose, gestural lines to block out the weight and positioning of the bodies on the page. Such sketches represent the earliest phase of the Renaissance creative process, where the artist works through anatomical problems before finalizing a larger composition.
Raphael’s sketches represent the 'disegno' tradition, where the study of human proportion was linked to Neoplatonic ideas of divine harmony and the ideal form. This intellectual framework, central to the High Renaissance, viewed the geometric and anatomical perfection of the body as a microcosm of the spiritual world.
Marsilio Ficino
Raphael's search for idealized beauty was grounded in the Neoplatonic theory that physical grace reflects divine goodness, a concept championed by Ficino in the Florentine Academy.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 966 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.