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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing features a precise construction of a sphere, mapped with radiating lines and intersecting arcs in brown ink or metalpoint. The diagram serves as an exercise in solid geometry and perspective, showing how to plot points on a curved surface. Faint inventory numbers and a signature are visible at the bottom of the sheet, indicating its history as a collected object.
This study reflects the Renaissance integration of mathematics and art, where geometry was seen as the underlying blueprint of the natural world. It connects to the Neoplatonic belief that mathematical laws govern the cosmos, a theme central to Raphael's 'The School of Athens' where such geometric principles are celebrated as the peak of human reason.
Rp. 281, no. 154 (2) 6.3 Raffaello
Euclid
Raphael's technical drawings are direct applications of the geometric principles established in Euclid's Elements.
Raphael, The School of Athens
This geometric study is stylistically and conceptually related to the terrestrial and celestial globes held by Ptolemy and Zoroaster in the fresco.
Luca Pacioli, De divina proportione
Raphael was part of a circle of artists and thinkers who explored the relationship between divine proportion and geometry as outlined by Pacioli.
Object
Oil on panel
scientific
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 546 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.