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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThese light studies show figures in twisting, dynamic poses, capturing the early stages of Raphael's design for the prophetesses and their angelic attendants. The drawing exhibits the delicate line-work used to establish anatomical proportions and the interaction between figures before the final painting stage.
The sketches relate to the Chigi Chapel's theme of divine prophecy, a key component of Renaissance Neoplatonism which viewed the ancient Sibyls as holders of the 'prisca theologia'. These pagan seers were believed to have foretold the coming of Christ, serving as a bridge between the classical mysteries and Christian revelation.
Pl. 223 RAPHAEL PRESENTED 1846 1846.194
Lactantius
His 'Divine Institutes' provided the primary accounts of the ten Sibyls, which Renaissance thinkers used to bridge pagan prophecy and Christian truth.
Marsilio Ficino
Ficino's Neoplatonic philosophy popularized the idea of the 'prisca theologia', which identified the Sibyls as ancient witnesses to the divine Word.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.ashmolean.org/collections-online#/item/ash-object-72026
800 × 580 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.