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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing displays a collection of preparatory sketches, including a seated woman resembling a Madonna and two studies of the female nude. A small landscape detail of a mountain peak appears in the upper left corner. The varied poses and rapid linework illustrate the artist's investigation of anatomical posture and composition.
These sketches are linked to Raphael’s work in the Stanza della Segnatura, the site of the 'School of Athens,' which represents the supreme visual synthesis of Renaissance Neoplatonism and theology. The practice of drawing here serves as 'disegno,' the intellectual process of distilling divine order and beauty from the observation of physical nature.
Marsilio Ficino
Ficino’s Neoplatonic theories regarding the reflection of divine beauty in the human form provided the philosophical framework for Raphael's idealized figures.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 1120 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.