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Original fileThe central rectangular panels depict the assembly of the Olympian gods and the celebratory wedding feast of the mortal Psyche and the god Cupid. Surrounding the scenes are lush botanical garlands and triangular spandrels featuring cupids carrying the attributes of the gods. The figures are arranged in a sculptural, crowded composition against a sky-blue background, representing the celestial realm.
The narrative, derived from Apuleius' 'The Golden Ass', was interpreted by Renaissance Neoplatonists as an allegory for the soul's (Psyche) journey through earthly suffering to attain divine love and immortality. This cycle represents a peak of High Renaissance synthesis between classical mythology and philosophical inquiries into the nature of the human spirit.
Apuleius
The fresco cycle is a direct visual translation of the Cupid and Psyche myth found in Apuleius' 'The Golden Ass'.
Marsilio Ficino
Ficino's Neoplatonic commentaries on love and the soul's ascent provided the philosophical framework for interpreting this myth during the Renaissance.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.