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Original fileThe ceiling is designed as a 'pergola' or outdoor arbor, where lush garlands of fruit and vegetables frame two central scenes painted to resemble overhead tapestries. On the left, the Olympian gods gather in council to decide the fate of the mortal Psyche, while the right panel shows the celestial wedding feast celebrating her union with Cupid and her elevation to immortality. The scenes are populated by a dense assembly of classical deities reclining on clouds, including Jupiter, Mercury, Venus, and Bacchus.
Based on the narrative from Apuleius' 'The Golden Ass', this cycle represents the Neoplatonic allegory of the soul's (Psyche) journey through earthly trials to achieve divine union with Love (Cupid). It serves as a visual manifestation of the Renaissance effort to reconcile pagan mythology with the philosophical quest for the soul's immortality as championed by thinkers like Marsilio Ficino.
Apuleius
The narrative cycle is directly based on the story of Cupid and Psyche found in 'The Golden Ass' (Metamorphoses).
Marsilio Ficino
Ficino's Neoplatonic commentaries provided the intellectual framework for interpreting Psyche as an allegory for the human soul.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.