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Original fileMercury is depicted in mid-air with his characteristic winged hat and sandals, while hovering putti carry the attributes of other gods, including a caduceus and a pan flute. The figures are framed by heavy festoons of realistic fruits, vegetables, and flowers that create the illusion of an outdoor garden bower. This scene is part of a larger narrative cycle detailing the trials and eventual deification of Psyche.
The Cupid and Psyche cycle serves as a Neoplatonic allegory for the human soul’s journey through earthly suffering to achieve divine union and immortality. Mercury's role as the psychopomp and messenger reflects the Renaissance interest in Hermes as an intermediary between the mundane and the divine, a central theme in Ficinian Neoplatonism.
Apuleius, The Golden Ass
The narrative source for the entire fresco cycle, which explores the soul's (Psyche) redemption through love.
Marsilio Ficino
Ficino's interpretations of the soul's ascent provided the philosophical underpinning for interpreting this myth in the Renaissance.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.