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Original fileThis view of the vaulted ceiling shows winged putti in flight carrying the attributes of Olympian gods, including Jupiter's eagle and Neptune's trident. Heavy, naturalistic garlands of various fruits and vegetables define the architectural structure of the vault against a sky-blue background. In the triangular spandrels, mythological figures like Venus and the Three Graces appear within the narrative cycle.
Commissioned for the Villa Farnesina, this cycle illustrates the myth from Apuleius' Metamorphoses, which Renaissance humanists interpreted as a Neoplatonic allegory for the soul's journey and purification. The exceptionally detailed garlands by Giovanni da Udine are significant to natural philosophy, as they contain some of the earliest European depictions of New World plants like maize and pumpkins.
Apuleius
The narrative of the fresco cycle is based on the 'Tale of Cupid and Psyche' found in his work, The Golden Ass.
Marsilio Ficino
Ficino's Neoplatonic theories on the nature of Love (Eros) as a cosmic force and the soul's ascent provided the philosophical framework for interpreting this myth in the Renaissance.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.