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Original fileTwo mythological scenes are separated by lush, heavy garlands of fruits and vegetables against a sky-blue background. On the left, the goddess Venus consults with the Three Graces, while on the right she is depicted in conversation with Juno, who wears a yellow robe, and Ceres, identified by the grain in her hair. In the triangular space between them, winged putti appear with a bow and a lion, symbolizing the triumph of Love.
Based on Apuleius's 'The Golden Ass,' this cycle serves as a Neoplatonic allegory for the soul's (Psyche) journey through earthly trials to achieve divine union with Love (Cupid). This interpretation was central to the humanist circles of the High Renaissance, viewing the myth as a roadmap for the soul's ascent and immortality.
Apuleius, The Golden Ass
The primary literary source for the narrative of Cupid and Psyche depicted in the fresco cycle.
Marsilio Ficino
Ficino's Neoplatonic commentaries provided the philosophical framework for interpreting Psyche as the human soul.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.