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Original fileThis fresco cycle depicts scenes from the myth of Cupid and Psyche, framed by heavy botanical garlands. On the left, a nearly nude Venus gestures toward the goddesses Juno and Ceres; in the center, a winged putto playfully carries the shield and sword of Mars; on the right, Venus is shown standing in her chariot drawn by white doves.
The narrative, taken from Apuleius' 'The Golden Ass', was interpreted by Renaissance Neoplatonists as an allegory of the human soul (Psyche) undergoing earthly trials to achieve divine union with Love (Cupid). This specific cycle reflects the integration of classical mystery traditions and Neoplatonic philosophy into the private villas of the Roman elite.
Apuleius
His work 'The Golden Ass' (Metamorphoses) is the primary literary source for the narrative of Cupid and Psyche depicted here.
Marsilio Ficino
Ficino's Neoplatonic commentaries popularized the interpretation of the Cupid and Psyche myth as an allegory for the soul's journey.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.