This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileIn this vaulted ceiling segment, a nude Venus stands before a seated, bearded Jupiter who rests upon his eagle. The figures are framed by heavy, naturalistic garlands of fruits and vegetables, while winged putti in the adjacent sections carry the attributes of other gods, including Cupid's bow and Mercury's caduceus.
Based on the narrative by Apuleius, this cycle was interpreted by Renaissance Neoplatonists as an allegory of the human soul (Psyche) and its journey through earthly suffering toward divine union with Love (Cupid). The integration of botanical realism with classical myth reflects the Renaissance attempt to harmonize the study of nature with ancient philosophical wisdom.
Apuleius
The narrative of Cupid and Psyche is derived from his work 'The Golden Ass' (Metamorphoses).
Marsilio Ficino
Ficino's Neoplatonic commentaries provided the philosophical framework for interpreting the union of Psyche and Cupid as the soul's return to the divine.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.