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Original fileThis decorative cycle depicts the narrative of Cupid and Psyche as told by the Roman author Apuleius. On the left, the king of the gods, Jupiter, embraces Cupid while his eagle sits nearby; on the right, Mercury is shown in flight with his winged cap and sandals, guiding Psyche. The scenes are enclosed within lush, heavy garlands of fruits, vegetables, and flowers that mimic an outdoor pergola.
The myth of Cupid and Psyche served as a primary Neoplatonic allegory during the Renaissance, symbolizing the human soul's (Psyche) purification through suffering and its ultimate union with Divine Love (Cupid). This interpretation was heavily influenced by the recovery of Platonic texts and the commentaries of Marsilio Ficino regarding the ascent of the soul.
Apuleius, The Golden Ass (Metamorphoses)
The narrative source for the entire fresco cycle, specifically the tale of Cupid and Psyche found in Books 4–6.
Marsilio Ficino
Ficino's Neoplatonic philosophy provided the intellectual framework for interpreting Psyche as the human soul in search of divine reunion.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.