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De deugden overwinnen de ondeugden

Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen

Original file
PrintCC0 1.0

De deugden overwinnen de ondeugden

Aegidius Sadeler

1579
paper
height 141 mm x width 85 mm
Rijksmuseum, Amsterdam

About This Work

A female figure representing Prayer sits in a pious stance, looking toward the Holy Spirit appearing as a dove in a radiant cloud. She tramples a bearded man wearing a monk's cowl who holds a rosary and a concealed dagger, labeled as 'FVCVS' (Deceit). Scattered on the ground are various symbols of false or performative piety, including a scourge, small banners, and a discarded hood.

This print belongs to the tradition of 'Psychomachia' (the battle of the soul), reflecting the Neo-Stoic and Counter-Reformation emphasis on inner sincerity over outward ritual. Produced within the influential Sadeler circle, it represents the moral and philosophical allegories favored by the intellectual elite in late 16th-century Europe, particularly in the court of Rudolf II.

PrecatioFucusHoly Spiritdoverosarydaggerscourgemonastic cowl11Q71111G19248C73131A235

Inscriptions

PRECATIO

FVCVS

Nil Fucus: cœli transcendit at alta Proseuche
Culmina, conceptasque Dei prece mitigat iras.

Translation

PRAYER

THE DRONE

Nothing, O Drone: the high Proseuche transcends the heights
Of heaven, and mitigates the conceived wraths of God by prayer.

Connected Texts

Prudentius

The visual trope of a Virtue trampling a Vice originates from Prudentius's 5th-century poem Psychomachia.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper

Dimensions

height 141 mm x width 85 mm

GenreAI

allegory

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

2563 × 4096 px

Harvested

March 25, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.

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