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Original fileFabel van de gems en de jager
About This Work
A hunter is shown from behind, scaling a steep mountain face while thrusting a long spear upward. A chamois leaps from a high rocky ledge, its body suspended in mid-air as it meets the tip of the hunter's weapon. In the background, a sprawling landscape reveals a distant city and valley under a bright, hatched sky.
Produced while Sadeler was the imperial engraver for Rudolf II in Prague, this work reflects the Northern Mannerist interest in combining naturalistic observation with moral allegory. Such animal fables were often viewed as emblematic meditations on the struggle for survival and the unpredictable nature of fate, fitting the intellectual 'Kunstkammer' culture of the Rudolfine court.
Connected Texts
Marcus Gheeraerts the Elder
Sadeler's fable prints were largely based on the earlier influential suite of etchings by Gheeraerts for 'De warachtige fabulen der dieren' (1567).
Aesop
The print belongs to the long-standing tradition of Aesopic fables used for moral and philosophical instruction in the Renaissance.
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 96 mm x width 112 mm
emblem
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.