Heilige Bertholdus van Regensburg wekt met een preek een vrouw terug tot leven

The Franciscan friar Berthold is depicted mid-sermon on an elevated pulpit, gesturing toward a woman who is being raised from the dead on the floor below. Surrounding her, a crowd of men and women react with profound emotion and prayer, while a vision of the Last Judgment and the torments of Hell appears in an arched window in the background. The composition highlights the power of the saint's oratory and the physical manifestation of divine grace through his words.

Engraved by Aegidius Sadeler, the court artist for Emperor Rudolf II, this work reflects the intersection of Counter-Reformation piety and the refined Mannerist aesthetic of the Prague court. It illustrates the 'power of the word,' a concept central to both orthodox theology and the broader Renaissance interest in the transformative, quasi-magical potential of rhetoric and logos.