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Original fileHistoria plagarum in Aegijpto
About This Work
Moses stands on the left, identified by rays of light emanating from his head, gesturing toward a vast crowd of Israelites beginning the Exodus. The figures are shown laden with sacks, chests, and prominent golden vessels, illustrating the biblical account of the 'spoiling of the Egyptians.' In the background, a dense procession of people and animals stretches toward a mountainous horizon.
The 'spoiling of the Egyptians' (taking their gold) became a vital allegory in Neoplatonic and Hermetic thought, symbolizing the reclamation of divine truths from 'pagan' or material contexts for sacred use. Moses himself was frequently positioned within the 'prisca theologia' (ancient theology) as a contemporary or counterpart to Hermes Trismegistus, bridging Hebrew law and Hermetic wisdom.
Inscriptions(Latin)
Ægypto egrediens populus capit aurea vasa, Imponitque humeris, tollere quod potuit. Exod: 12. 7
Translation
Departing from Egypt, the people take golden vessels, And place upon their shoulders what they were able to carry. Exod: 12.
Connected Texts
Augustine of Hippo
In 'De Doctrina Christiana,' Augustine formulated the 'gold of the Egyptians' defense, arguing that Christians should 'spoil' pagan philosophy for the service of truth, a concept central to Renaissance Neoplatonism.
Marsilio Ficino
Ficino included Moses in the genealogy of the 'prisca theologia,' viewing him as a recipient of the same ancient wisdom found in the Hermetic corpus.
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Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 200 mm x width 286 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.