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Original filePassie en wederopstanding van Christus
About This Work
Christ's body is carefully lowered using a long linen shroud while Mary Magdalene kneels at the base of the cross to kiss his feet. To the right, the Virgin Mary is supported by a group of followers in a state of grief, set against a background featuring a rocky landscape and the city of Jerusalem. The engraving uses fine cross-hatching to create a sense of physical weight and dramatic tension in the figures' poses.
As part of the output of the Sadeler family, this work represents the sophisticated printmaking culture that later became central to the court of Rudolf II in Prague, a major center for Renaissance Hermeticism. The Sadelers were key figures in the dissemination of high-mannerist religious imagery that often served as a foundation for more complex emblematic and esoteric works in the early 17th century.
Inscriptions(Latin)
M. de Vos inuentor Ioan. Sadeler scalps. Sadleri excud. Ioseph autem mercatus est sindonem, deponens eum inuoluit sindone, et posuit eum in monumento quod erat excisum de petra. MARC. XV.
Translation
M. de Vos inventor Ioan. Sadeler sculpsit Sadleri excudit And Joseph bought fine linen, and taking him down, wrapped him in the fine linen, and laid him in a sepulchre which was hewn out of a rock. MARC. XV.
Connected Texts
Maerten de Vos
The original designer of the composition, whose works were frequently engraved by the Sadeler family for broad European distribution.
Jan Sadeler I
The specific member of the Sadeler dynasty who engraved this plate, as identified by the inscription.
Collections
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 238 mm x width 202 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.