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Original filePassio verbigenae quae nostra redemptio Christi
About This Work
An oval-framed composition depicting two tiers of biblical narrative: the upper register shows Christ bound by soldiers before a high priest, while the lower register depicts Saint Peter by a fire denying his association with Jesus. The central scenes are encased in an elaborate Mannerist frame featuring symbolic animals like a rooster, a lion, and grotesque fish. The work utilizes complex strapwork and architectural pillars to create a dense, highly symbolic devotional image.
The title 'Passio Verbigenae' identifies Christ as the 'Word-born,' reflecting a Renaissance Neoplatonic emphasis on the Logos as the mediator between the divine and material worlds. The Sadeler family and Marcus Gheeraerts were central to the dissemination of this intellectualized, highly decorative style across Northern Europe and the court of Rudolf II, where art was viewed as a mirror of cosmic and divine order.
Inscriptions
IOAN: SADLER EXCVD. MARC: GERAERD FIGVR.
Translation
JOHN SADLER PUBLISHED. MARK GERAERD DRAWN.
Connected Texts
Gospel of John
The use of the term 'Verbigena' (Word-born) references the Johannine Logos, a concept central to both orthodox theology and the Western esoteric tradition's understanding of divine emanation.
Collections
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 164 mm x width 115 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.