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Original filePerfectissimvm Obedientiae Specvlvm
About This Work
At the center of a dark landscape, a radiant Christ reclines in prayer as a winged angel offers him a chalice. To the right, a tonsured monk in a heavy habit holds a book and a stalk of lilies, while the Virgin Mary looks on from behind with hands outstretched in a gesture of sorrowful acceptance. In the shadowy background, the crescent moon shines over a distant city and the sleeping figures of the disciples.
This print functions as a 'speculum' (mirror), a devotional genre intended to provide a moral archetype for the viewer to emulate—in this case, Christ's total obedience to divine will. As a work by Aegidius Sadeler, a central figure in the court of Rudolf II in Prague, it represents the intersection of high Mannerist technique and the intense spiritual interiority promoted by the Counter-Reformation.
Connected Texts
Ignatius of Loyola
The image reflects the Ignatian practice of 'composition of place' from the Spiritual Exercises, where the devotee mentally enters a biblical scene to cultivate specific virtues like obedience.
Thomas à Kempis
The title and composition align with the 'Imitatio Christi' tradition, emphasizing the internal mirror of the soul as a reflection of Christ's suffering.
Collections
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 153 mm x width 234 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.