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Original fileUittocht uit Egypte
About This Work
Moses stands on the left with rays of light emanating from his head, gesturing toward the horizon as he directs the Exodus. A dense crowd of people follows, heavily laden with ornate gold and silver pitchers, basins, and chests, accompanied by their livestock and children. In the distance, a vast column of figures winds through a mountainous landscape, illustrating the scale of the biblical migration.
This scene depicts the 'Spoils of the Egyptians,' a motif frequently cited by Renaissance Neoplatonists and Hermeticists to justify the study of ancient pagan wisdom as a 'theft' of divine truths that rightfully belong to the sacred tradition. Moses himself was regarded in the 'Prisca Theologia' as a contemporary or even a student of Hermes Trismegistus, linking the Exodus to the transmission of hidden Egyptian mysteries.
Inscriptions(Latin)
Ægypto egrediens populus capit aurea vasa, Imponitque humeris, tollere quod potuit. Exod: 12. 7
Translation
Leaving Egypt, the people take golden vessels, And place them upon their shoulders, that which they could carry. Exod: 12.
Connected Texts
Marsilio Ficino
Ficino used the biblical 'spoils of Egypt' as a primary metaphor for the Christian reclamation of Neoplatonic and Hermetic philosophy.
The Zohar
The Exodus is interpreted kabbalistically as the liberation of the 'holy sparks' from the 'klipoth' or shells of material Egypt.
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 198 mm x width 284 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.