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Uittocht uit Egypte

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Uittocht uit Egypte

Aegidius Sadeler

1579
paper
height 198 mm x width 284 mm
Rijksmuseum, Amsterdam

About This Work

Moses stands on the left with rays of light emanating from his head, gesturing toward the horizon as he directs the Exodus. A dense crowd of people follows, heavily laden with ornate gold and silver pitchers, basins, and chests, accompanied by their livestock and children. In the distance, a vast column of figures winds through a mountainous landscape, illustrating the scale of the biblical migration.

This scene depicts the 'Spoils of the Egyptians,' a motif frequently cited by Renaissance Neoplatonists and Hermeticists to justify the study of ancient pagan wisdom as a 'theft' of divine truths that rightfully belong to the sacred tradition. Moses himself was regarded in the 'Prisca Theologia' as a contemporary or even a student of Hermes Trismegistus, linking the Exodus to the transmission of hidden Egyptian mysteries.

MosesAaronIsraelitesrays of lightgolden vessels71E12471E1231A

Inscriptions(Latin)

Ægypto egrediens populus capit aurea vasa, Imponitque humeris, tollere quod potuit. Exod: 12.
7

Translation

Leaving Egypt, the people take golden vessels,
And place them upon their shoulders, that which they could carry. Exod: 12.

Connected Texts

Marsilio Ficino

Ficino used the biblical 'spoils of Egypt' as a primary metaphor for the Christian reclamation of Neoplatonic and Hermetic philosophy.

The Zohar

The Exodus is interpreted kabbalistically as the liberation of the 'holy sparks' from the 'klipoth' or shells of material Egypt.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper

Dimensions

height 198 mm x width 284 mm

GenreAI

religious

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

3840 × 2702 px

Harvested

March 25, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.

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