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Original fileWederopstanding van Christus
About This Work
Christ rises from an open stone sarcophagus, holding a cruciform staff and surrounded by a radiant mandorla of light and clouds. Below him, Roman guards in elaborate Renaissance-style armor react with fear and confusion, with some shielding their eyes from the divine radiance. The composition uses dramatic, twisting Mannerist poses to emphasize the kinetic energy of the ascent.
As a work by Aegidius Sadeler, who later became the lead engraver for Rudolf II in Prague, this print reflects the artistic foundation of the Rudolfine circle where religious themes were often studied alongside Hermetic and Neoplatonic ideas of spiritual regeneration. The biblical inscription emphasizes the role of the 'Perfect Man' in overcoming material death, a concept central to both Christian theology and alchemical metaphors of the Great Work.
Inscriptions(Latin)
PER HOMINEM MORS ET PER HOMINEM RESVRRECTIO MORTVORVM. Cor. 15 M. de vos in. Sadl. excud.
Translation
BY MAN CAME DEATH AND BY MAN THE RESURRECTION OF THE DEAD. Cor. 15 M. de vos inv. Sadl. excud.
Connected Texts
1 Corinthians 15:21
The print's inscription directly quotes this verse, which discusses the restoration of life through a single man, a theme echoed in esoteric concepts of the 'Second Adam'.
Collections
Provenance & Source
Object
Rijksmuseum, Amsterdam
paper
height 199 mm x width 144 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.