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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThis engraving depicts the Adoration of the Shepherds, characterized by the muscular, elongated figures typical of Dutch Mannerism. Mary kneels beside the manger, gently lifting a swaddling cloth to reveal the Christ child to the visitors, while a woman carrying a basket and water jug stands at the right. Through a small window in the stable wall, an angel is seen appearing to shepherds in the fields under a radiant light.
As a collaboration between designer Hendrick Goltzius and engraver Jan Saenredam, this work represents the intellectual and artistic summit of the Haarlem Mannerists. The group's emphasis on heroic anatomy and complex composition reflects a humanistic attempt to merge classical form with sacred narrative, often facilitated by the Latin verses of scholars like Cornelis Schonaeus.
HG Inuent Pastores nati Visunt cunabula Christi, Et rerum Dominum magno venerantur honore. C. Schonæus
Translation
HG Inuent The shepherds, having been born, see the cradle of Christ, And they venerate the Lord of all things with great honor. C. Schonæus
Hendrick Goltzius
The inscription 'HG Inuent' identifies Goltzius as the designer of this composition, which Saenredam engraved under his mentorship.
Cornelis Schonaeus
The Latin verse at the bottom was authored by Schonaeus, a Haarlem humanist and playwright known as the 'Christian Terence'.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.448236
Creative Commons Zero, Public Domain Dedication
6276 × 3442 px
c00b61d1963c94f74c09f49d31ccbc8bcb5419f1
December 29, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.