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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA dramatic nocturnal scene where a radiant angel bursts through an opening in thick, tumultuous clouds to address shepherds on the ground. Below, the figures react with a mix of sleep, astonishment, and fear, with one shepherd shielding his eyes from the divine light while cattle and sheep huddle nearby. The composition is defined by the complex, twisting poses of the figures and the intense contrast between the heavenly glow and the dark landscape.
This engraving is a prime example of Haarlem Mannerism, a style characterized by artificial elegance and technical virtuosity that often sought to visualize the bridge between the material and divine realms. Within the context of Western esotericism, such 'visionary' prints reflect late 16th-century interests in the hierarchies of celestial beings and the Neoplatonic concept of divine illumination piercing the darkness of the material world.
Dum vigiles ovium pastores cura teneret, Angelicas cernunt coeli per inania turmas Laudibus ob genitum coelestem extollere Patrem Salvatorem orbis, talique applaudere cantu: Summa Deo in superis reddatur gloria: terras Pax hominesque beet, quibus est syncera voluntas. Abrahamus Bloemaert Inven. I. Saenredam sculp. Jac. Razet divulgavit et strenuo humanissimoq. viro D. Petro Marbia Reipubl. Amstelodam. Scabino meritissimo amicitiae ergo D.D. ipso Natali Dni A.o 1599.
Translation
While the shepherds kept watch over their sheep, They beheld angelic hosts through the voids of heaven Extolling with praises the heavenly Father for the One born, The Savior of the world, and applauding with such a song: Let supreme glory be rendered to God in the highest: may peace Bless the lands and the men who are of sincere will. Abraham Bloemaert invenit. I. Saenredam sculpsit. Jac. Razet published and dedicated this as a gift of friendship to the vigorous and most humane man, Mr. Petrus Marbia, most deserving Alderman of the Republic of Amsterdam, on the very birthday of the Lord, in the year 1599.
Dionysius the Areopagite
The artist’s depiction of multiple ranks of angelic beings (cherubim and archangels) reflects the traditional celestial hierarchies established in 'De Coelesti Hierarchia'.
Abraham Bloemaert
Saenredam engraved this work after a design by Bloemaert, a central figure in the development of Dutch Mannerist and early Baroque religious imagery.
Object
National Gallery of Art, Washington
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2880 × 4000 px
9b056b76339c387bbc0022d6d5ed0385aaeb1709
August 28, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.