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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA man and a woman are depicted in an intimate embrace against a background of heavy drapery. The woman wears an ornate dress with floral patterns and a pearl necklace, while a tortoise rests upon the fabric of her skirt in the foreground. The engraving uses tight, swelling lines characteristic of the Haarlem Mannerists to emphasize the physical forms and textures of the figures.
This print is part of a series on the Five Senses, a central theme in Renaissance natural philosophy and moral psychology regarding how the soul perceives the material world. The accompanying Latin verse provides a Stoic warning against the dangers of carnal temptation, reflecting the period's tension between the celebration of physical beauty and the need for spiritual discipline.
Que conspecta nocent, manibus contingere noli, Ne mox peiori corripiare malo. 5
Translation
Do not touch with your hands the things that harm when seen, Lest you be seized by a worse evil soon.
Aristotle (De Anima)
Aristotle's classification of the five senses provided the foundational philosophical framework for this iconographic tradition.
Marsilio Ficino (De Amore)
Ficino's Neoplatonic hierarchy of the senses often placed touch at the lowest, most material level, which informs the moralizing warning in the inscription.
Object
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/object/P_1874-0711-1863
Public domain
5506 × 7530 px
3f8180c1e5e56667b4d4e885b665bc39d789b012
May 12, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.