This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThe twins Apollo and Diana are seated atop a rocky ledge, armed with bows and quivers of arrows as they look down upon their victims. On the left, a figure representing one of Niobe's children appears in a state of distress, while the deities maintain a stern, detached composure. This print is characterized by the muscular, twisting poses typical of Dutch Mannerism.
The story of Niobe is a classic allegory for hubris and the destructive nature of human pride when set against the divine order. In the late Renaissance, such mythological scenes were often interpreted through a Neoplatonic lens as moral lessons on the necessity of intellectual and spiritual humility.
Intumuit Niobe stimulis lymphata furentis Invidie, nec iam condit sub pectore vulnus, Sed vulgo cunctos festis propulsat ab aris, Se prece, se donis, clamans, dignam esse Sabeis. F.E.
Translation
Niobe swelled, maddened by the goads of raging Envy, and no longer hides the wound within her breast, But drives everyone away from the festive altars in public, Crying that she, by her prayers, she, by her gifts, is worthy of Sabaean incense. F.E.
Ovid, Metamorphoses
Book VI of the Metamorphoses provides the primary literary source for the tragedy of Niobe and her punishment by Apollo and Diana.
Object
Rijksmuseum, Amsterdam
height 291 mm x width 399 mm
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.