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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileThis engraving depicts two female figures with the elongated, muscular anatomy characteristic of the Haarlem Mannerist style. One nymph is seen from behind while the other holds a large hunting bow and wears a small crescent moon in her hair; they are set within a dense forest featuring birds in flight and detailed foliage. The work demonstrates intricate line work and swelling contours to create a sense of sculptural volume.
As a collaboration between Hendrick Goltzius and Jan Saenredam, this print reflects the late Renaissance interest in the idealized human form as a microcosm of nature. In the context of the period's natural philosophy, Diana and her nymphs represented the untamed and chaste aspects of the wilderness, governed by the celestial influence of the moon.
HG. inu I. Saenredam sculp. P. Ianßon. exc 1616 1 Felices sylvæ nymphas spectare Dianæ .
Translation
HG. inv. I. Saenredam sculp. P. Ianßon. exc 1616 1 Happy the woods to behold the nymphs of Diana.
Hendrick Goltzius
Goltzius provided the original design (invenit) for this engraving, which Saenredam translated into the copperplate.
Ovid
The primary literary source for the depictions of Diana's nymphs and the classical woodland setting in Renaissance art.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · CC BY 4.0
http://hdl.handle.net/1887.1/item:1621062
Creative Commons Attribution 4.0
1976 × 2640 px
0114ace0ecb6d248c9d29ae9eb44fb4d7cd5b227
March 11, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.