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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileAn elderly, bearded prophet wearing a turban stands beside a massive, gnarled tree, tearing a length of cloth. A younger man, Jeroboam, sits on a rock below him, watching the action as the prophet explains the divine message. The landscape features highly detailed, twisted bark and foliage, characteristic of the stylistic complexity of the period.
This scene depicts a moment of divine prophecy regarding the fragmentation of a kingdom, reflecting early modern interests in the intersection of divine providence and political history. Jan Saenredam's work represents the peak of Dutch Mannerist engraving, where technical virtuosity was used to convey the intensity of spiritual and biblical narratives.
I Abrahamus Bloemaert inven Joan. Saenredam sculp. et excu. 1604
Translation
I Abraham Bloemaert inventor Jan Saenredam engraver and publisher 1604
1 Kings 11:29-32
The engraving depicts the specific biblical narrative where Ahijah uses his garment to symbolize the twelve tribes of Israel.
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC0
https://clevelandart.org/art/1991.261
Creative Commons Zero, Public Domain Dedication
3920 × 5049 px
1cfb0700cb0a26fd2135d0a85f2c4ff22d530d07
April 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.