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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileA man and woman are shown in a close physical embrace, their faces pressing together to illustrate the sensation of skin contact. The woman wears a pearl necklace and a dress with ruffled trim, while a tortoise rests upon her lap in the foreground. The scene is set against a backdrop of heavy, dramatic drapery that focuses the viewer's attention on the tactile interaction between the figures.
This print belongs to a series on the five senses, a central theme in Renaissance natural philosophy used to explore how the soul interacts with the material world. The accompanying Latin verse provides a moralizing Neoplatonic warning, suggesting that the physical pleasure of touch can lead to spiritual corruption or the 'malady' of earthly attachment.
HG. Quae conspecta nocent, manibus contingere noli, Ne mox peiori corripiare malo. 5
Translation
Things which, when seen, are harmful, do not touch with your hands, Lest you be quickly seized by a worse evil.
Hendrick Goltzius
Saenredam produced this engraving based on a design by Goltzius, his mentor and a master of Haarlem Mannerist symbolism.
Aristotle
The categorization of the five senses in Western art and science stems from Aristotle's influential treatise 'De Anima' (On the Soul).
Object
Engraving
allegory
Digital Source
Wikimedia Commons · CC BY 4.0
http://hdl.handle.net/1887.1/item:1620307
Creative Commons Attribution 4.0
1724 × 2354 px
9e6a9502d813678fa10dd97942e4a423b017b62b
March 13, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.