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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA young man in rags leans on a staff in the center of a rustic, decaying farmyard filled with livestock and everyday activities. To the right, a woman kneels to milk a cow while a farmer points toward the pigs, signifying the son's low status and manual labor. The scene features a crumbling thatched-roof building and various animals, including goats, horses, and a turkey.
In the intellectual context of the Renaissance and Northern Mannerism, the Prodigal Son was often interpreted as a Neoplatonic allegory for the soul's descent into materiality and its eventual return to the divine. Produced by the Haarlem circle, this work combines detailed naturalism with a didactic message about the moral consequences of sensory indulgence.
Amstelodami Joannes Janssonius excudit A. 1618. Qui modo delitias Graias Bacchiq. madebat Prodigus, et lentos luxu irritavit amores, Nudus opum, et lacera male tectus membra lacerna Languida degeneri traxit vestigia gressu Subijt enim importuna fames: ad tecta coloni Illum suppliciter poscentem admittit egentem Villicus excipiens, digito indice pascere stantes Imperat; immundum pecus, ad præsepia porcos. Ille inhians rabie, solvit jejunia ventris Immersasq. fero siliquas auide ingerit aluo C. Schoneus Ab: Bloemaert inven: J. Saenredam sculp: et excud:
Translation
In Amsterdam, Joannes Janssonius printed it in the year 1618. He who but lately reveled in Grecian delights and the wine of Bacchus, A prodigal, and with luxury spurred on slow loves, Stripped of wealth, and his limbs poorly covered by a torn cloak, Dragged his weary footsteps with a degenerate gait. For importunate hunger overtook him; to the dwelling of a farmer The steward admits him, humbly begging and in need, And with pointing finger commands him to feed those standing there; The unclean herd, the swine at the troughs. He, gaping with rage, breaks the fast of his belly, And greedily stuffs into his savage maw the pods immersed therein. C. Schoneus Ab. Bloemaert inven(it) J. Saenredam sculp(sit) et excud(it)
Cornelius Schonaeus
Schonaeus, a prominent Dutch humanist and rector, authored the Latin moralizing verses accompanying this engraving.
Luke 15:11–32
The primary biblical source text for the narrative of the Prodigal Son.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.337733
Creative Commons Zero, Public Domain Dedication
7676 × 5244 px
ecf0efb47e397041d89d3427a21ac58598f8329a
December 3, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.