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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA man and a woman in elaborate late 16th-century Dutch attire perform a handfasting gesture over a heavy money bag. Standing behind them, a lean, monstrous demon with cloven hooves and a horned hood acts as the matchmaker, blowing a stream of gold coins into the woman's face. The scene serves as a biting satire on marriages of convenience where wealth, rather than virtue, is the primary bond.
The print utilizes the figure of the 'cacodaemon' (evil spirit) to illustrate how material greed allows lower spiritual entities to corrupt human institutions. This reflects a Renaissance moral philosophy, common in the Haarlem Mannerist circle, which viewed the obsession with worldly goods as a form of spiritual bondage orchestrated by demonic influences.
Divitiæ turpes, et quos opulentia iungit, Falluntur misere vafro cacodæmonis astu.
Translation
Sordid riches, and those whom opulence unites, Are miserably deceived by the cunning craft of the devil.
Heinrich Cornelius Agrippa
In 'De Occulta Philosophia', Agrippa describes the nature of cacodaemons as malevolent spirits that incite humans toward the vices of greed and deception.
Object
Rijksmuseum, Amsterdam
plaatrand: hoogte 234 mm x breedte 162 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.