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Original fileTen Rulers of Hell, Song, Gongyi 07
The stone relief shows a central male figure wearing a tall, tiered crown and traditional robes, seated behind a desk in a gesture of authority. To his right, an attendant holds a long, flat ritual paddle or fan, while another figure bows deeply to the left, offering a bundle. The scene is set under a carved canopy with drapery motifs, typical of funerary steles. The carving style is shallow and linear, focusing on the frontal, hieratic poses of the figures.
This artwork is part of the Gongyi grottoes or funerary tradition, representing the 'Ten Rulers of Hell,' a syncretic development in Chinese Buddhism blending indigenous afterlife beliefs with the Indian concept of Yama. It reflects the Song Dynasty preoccupation with the bureaucratic organization of the underworld, which functioned as a moral mirror for social order in the living world.
第五(?)大王泰山王(?) 右邊一行文字較為模糊,疑似為造像記或供養人題名。
Translation
Fifth (?) Great King, King Taishan [The Seventh King]... [The right-hand column is obscured, appearing to be a votive inscription.]
Ten Kings Sutra (Sutra on the Ten Kings)
The iconography follows the standardized bureaucratic layout of the underworld afterlife as described in this influential liturgical text.
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.