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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe figure stands in a contrapposto pose, wearing a bodice with a dense chevron pattern and voluminous, tiered sleeves. The costume is embellished with organic, leaf-like textures, and the figure holds a long staff or lance. The drawing captures the intricate detail of the headpiece and the flowing, light-weight fabrics used in Renaissance court pageantry.
This drawing reflects Leonardo’s role as a designer of courtly 'wonders' and allegorical spectacles for patrons like the Medici and Francis I. These festivities often translated complex Neoplatonic and astrological concepts into visual performances, embodying the Renaissance ideal of the court as a microcosm of cosmic order.
84 ER VII
Translation
The initials ER VII refer to King Edward VII, marking the work as part of the Royal Collection.
The Book of the Courtier by Baldassare Castiglione
Leonardo's costume designs and court spectacles epitomize the 'sprezzatura' and the role of the artist in constructing the prince's public image through refined artifice.
Object
Oil on panel
decorative
Digital Source
Wikimedia Commons · Public domain
https://www.rct.uk/collection/search#/1/collection/912576/a-standing-masquerader
Public domain
754 × 1466 px
4939c8a6a1c9a64f7b0ffb09a774f84ec9b44c4b
June 13, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.