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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileFotoreproductie van een schets door Leonardo da Vinci, voorstellende het hoofd van de heilige Anna Leonardo da Vinci (titel op object)
This image is a nineteenth-century photographic reproduction of a red chalk drawing by Leonardo da Vinci. The face is rendered with soft, blended shadows to capture a moment of quiet introspection. It was created as a preparatory study for Leonardo's major painting, 'The Virgin and Child with Saint Anne'.
Leonardo’s studies of facial expressions reflect his interest in natural philosophy and the 'motions of the mind,' where physical gestures reveal internal spiritual states. This approach aligns with Neoplatonic ideas about the soul's manifestation through material beauty.
N.o 30. LEONARDO DA VINCI C. Naya fot. Venezia. RIJKSMUSEUM AMSTERDAM 1.
Translation
No. 30. Leonardo da Vinci C. Naya photo. Venice. Rijksmuseum Amsterdam 1.
Leonardo da Vinci, Treatise on Painting
Leonardo details how an artist should depict the 'motions of the mind' (moti mentali) to reveal the internal psychological and spiritual state of a figure.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.594411
Creative Commons Zero, Public Domain Dedication
4166 × 6000 px
a349a5b66dc053446df12ef0651669cdb9808d71
January 15, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.