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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileYaowangshan Lhasa Tibet China 西藏 拉萨 药王山 - panoramio (8)
The image shows a rectangular thangka painting suspended beneath a colorful, ornately painted wooden beam. The central figure, Manjushri, is gold-skinned, seated in a lotus position, and brandishing a flaming sword above his right shoulder with his left hand holding a lotus stem supporting a manuscript. He is surrounded by a mandalic arrangement of smaller attendant deities, while the surrounding cliff face features additional, weathered relief carvings of Buddhas and bodhisattvas against the natural red stone. White khata silk scarves are draped over the top of the thangka, framing the vibrant blues, reds, and golds of the painted textile.
This image documents the syncretic practice of pairing painted fabric thangkas with permanent rock-carved reliefs, a common ritual tradition at sites like the Chokpori Thousand-Buddha Cliff in Lhasa. It reflects the intersection of monastic art and popular devotion in Tibetan Buddhism, where pilgrimage sites serve as living repositories for both portable and static icons.
Manjushrimulakalpa
The central figure, Manjushri, is the primary subject of this Tantric text detailing his iconography and practice.
Object
thangka
silk
contemporary
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
1800 × 2400 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.