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His disciples were Speusippus the Athenian, Xenocrates of Chalcedon, Aristotle of Stagira, Philippus of Opus, Hestiaeus of Perinthus, Dion of Syracuse, Amicles of Heraclea, Erascus and Doriscus of Scepsis, Timolaus of Cyzicus, Hebeon of Lampsacus, Pithon and Heraclides of Aenus, Hippotales and Calippus the Athenians, Demetrius of Amphipolis, Heraclides of Pontus, and many others; and with these two women, Lasthenia of Mantinea and Axiothea of Phlius, who used to wear men's clothing. They also say that Theophrastus was a listener of his, as were the orator Hyperides, Chamaeleon, Lycurgus, and Demosthenes, who was also a devoted student of his, along with Menesistratus. Inscribed on the vestibule of the Academy was: Let no one ignorant of geometry enter here. Which indeed he wished to be understood not only regarding the measurement of lines, but also regarding the proper measure of the emotions. Ficino interprets the famous mathematical requirement for entry into Plato's school as a metaphor for moral and emotional self-control.
| The First Tetralogy, | Charmides: or on Temperance |
| Laches: or on Courage | |
| Euthyphro: or on Holiness | Lysis: or on Friendship. |
| The Apology of Socrates: that is, the Defense | |
| Crito: or on what he did in prison | The Sixth Tetralogy, |
| with Socrates: or on Action. | |
| Phaedo: or on the Immortality of the Soul: | Euthydemus: or the Contentious |
| or on the Soul. | Protagoras: or on the Morals of the |
| Professors of Wisdom The Sophists. | |
| The Second Tetralogy, | Gorgias: or on Rhetoric |
| Meno: or on Virtue. | |
| Cratylus: or on the Right Reason of Names | |
| Theaetetus: or on Knowledge | The Seventh Tetralogy, |
| The Sophist: or on Being | |
| The Statesman: or on Kingship. | Hippias Major: or on the Beautiful: or |
| on the Honorable | |
| The Third Tetralogy, | Hippias Minor: or on Falsehood |
| Ion: or on Poetic Frenzy: or on the Iliad | |
| Parmenides: or on the One Principle of All, | Menexenus: or on Ancient Attica: |
| and on the Ideas. | or the Funeral Oration. |
| Philebus: or on the Highest Good, or | |
| on Pleasure | The Eighth Tetralogy, |
| The Symposium: or on Love | |
| Phaedrus: or on the Beautiful. | Clitophon: or the Exhortation |
| The Republic: 10 books, or on Justice | |
| The Fourth Tetralogy, | Timaeus: on the Nature of the World |
| Critias: or the Atlantic: or on Atlantic | |
| Alcibiades I: or on the Nature of Man | Antiquity. |
| Alcibiades II: or on Prayer | |
| Hipparchus: or on the Love of Gain: or | The Ninth Tetralogy, |
| on the Desire for Profit | |
| The Lovers: or on Philosophy. | Minos: or on Law |
| The Laws: 12 books. | |
| The Fifth Tetralogy, | Epinomis: i.e., an Appendix to the Laws: or |
| The Philosopher | |
| Theages: or on Wisdom | Twelve Epistles. |
All these books of Plato we ourselves have translated from the Greek language into Latin. Marsilio Ficino (1433–1499) was the first to translate Plato's complete works into Latin in the West. There are truly three types of Platonic dialogues: for he either refutes the Sophists, or exhorts the young, or teaches adults. Those things which Plato discusses in his own voice in the Epistles, or in the books of the Laws and the Epinomis, he wishes to be held as most certain. But those things which he disputes in the other books through the mouths of Socrates, Timaeus, Parmenides, and Zeno, he wishes to be held as probable truths.